“Draped in my regal raiment, I know what I hold in my hand, the power of money and fortune is at my fingertips. Quick and astute, my crown highlights my most valued asset, my head. I am order and revenue, haughty and resourceful. My eyes see the value of all things, as I orchestrate what is around me for my benefit. A wise choice, a sensible route, I show you the way to improve your lot.”
Queen of swords:
The Spanish Tarot published by Heraclio Fournier, Spain.The Spanish Tarot published by Heraclio Fournier, Spain.The Spanish Tarot published by Heraclio Fournier, Spain.
‘A swift cut, I slice through falsity and contrivances in a heartbeat. I am stern and bold, holding my sword aloft as a defense, in protection of what is mine. I tolerate no fools and remove all superfluousness. A dark warning, the power to kill, and a force that strikes with the strength of the pikes of on crown.”
Queen of cups:
The Spanish Tarot published by Heraclio Fournier, Spain.The Spanish Tarot published by Heraclio Fournier, Spain.The Spanish Tarot published by Heraclio Fournier, Spain.
“Gentle and sweet, I am a like a flower that spreads her fragrance. I know my heart, and hold my open cup unabashed. It is a brimming fount of love and sensuality. I am supple, and love above all else. I disclose truths of the heart. I am a harbinger of peace, and I am patience.”
Queen of batons:
The Spanish Tarot published by Heraclio Fournier, Spain.The Spanish Tarot published by Heraclio Fournier, Spain.The Spanish Tarot published by Heraclio Fournier, Spain.
“I am vivacity, a hearty woman that forges the way for herself. My hair is long and unruly because I am wild and free like the wind that ruffles my garments. My baton is big and I am strong enough to wield it with force. I am the one who forges onward, relentless and unyielding, the tree from which this baton is made of. I know the value of work, I am constancy and resilience.”
I don’t know about you, but the month of October was brutal for me, my heart was crushed several times. I had to put down my 15 year old cat, she was sick, and the experience of taking her to the vet to put her to sleep was horrible. Issues at my job rose up to the surface and punctured my confidence. And then I just simply didn’t feel up to keeping up my spiritual routine, daily prayers, meditation, vision work, etc. I felt wounded, and didn’t know how to muster the strength to recover my vitality. I attribute all this, in part, to Venus’s underworld journey while in Scorpio, and a couple of other things that have been building up since the summer.
Looking back at October’s augury, “what has to die? What has to be put into the blazing fires? What has to be purged in the flames?” I come to the conclusion that I didn’t quite survive unscathed from all the cutting and burning. This month, the month of souls, I am slowly starting to crawl out of the hole (very slowly). I begin other things now, things to do with the dead, the beloved departed, the ancestors. Admittedly, it strikes me as auspicious that as I crawl out of my hole with gaping wounds, I come to the dead seeking their guidance, sending prayers their way for light and propitiation.
~November~
Hotcakes, First Edition, by Uusi Design Studio, The United States Playing Card Company, 2014.*
This month sees a couple things coming to the forefront in tandem, overwork and changing winds. The advice for the month can be briefly summed up with the words, “maneuver your way through the thicket to find the path forward.” This finding the path forward must be done amidst the strain of overall life pressures, that is work, home, emotional, and spiritual. Too much is rarely a good thing and we must find that point where the path opens and we’re able to navigate through the many things that tax the body. A slowing of pace is in order, as well as discernment. Keep practicing discernment between what feeds you good and what poisons.
Hotcakes, First Edition, by Uusi Design Studio, The United States Playing Card Company, 2014.
Sometimes decisions have to be made, quick and drastic ones. Delineations and delimitations have to be set. This is not about being more productive, about filling the heart so as the work is more fruitful. This is about taking care of the self and the body. Keeping the head above water so as to find better ways of living and being, and fulfillment.
Hotcakes, First Edition, by Uusi Design Studio, The United States Playing Card Company, 2014.
The decisions and the actions taken build the bridge for us. The bridge that takes us onward. As we walk through pitfalls and obstacles, look at it this way: You are walking on a moonless night through a dark forest, the trees press on you from all sides, and the occasional burst of fear grips your heart. But you need to keep walking, sensing with your hands, your feet and your heart, other than your eyes. Sense your way through by activating discernment and feeling.
As I say all this, I don’t mean to indicate that this month will be terrible, but it is a month where how we discern our way through difficulties is highlighted.
I hope you and I have a good month ahead, and despite the changing winds and strains that press on us we continue walking, and moving, and living, and laughing, and loving, and remembering, and becoming.
If you would like a more specific reading in regards to this month or any other matter, visit my shop window and book a reading with me.
~~~
*This month’s oracle is brought to you by Uusi’s beautiful playing card deck, Hotcakes. It seemed right to me as I thought about this month in the midst of Scorpio season to use an erotic style deck.
It was around the second month of my 7th grade year, I was 13 and sat in history class minding my own business, listening to the teacher and doodling on my notebook. I didn’t know anyone in class. Generally a shy child, I dutifully blossomed into an introverted teenager. A tall, dark haired girl sits next to me, striking because she looks older than her age, and she exudes the confidence I lack. We’ve only exchange brief conversations. When one afternoon, I am waiting to be picked up after school, and she sits next to me.
No teacher nor classroom was there to filter my shyness, and with words and kindness she cracks my shell. We talk about everything a typical teenager is preoccupied with, school, classes, home life, insecurities, and dreams. The topic, unexpectedly for me, turns into darker matters, magic, witchcraft, and spirits. Halloween looms close, and she begins sharing more personal things. After half an hour of talking she confesses that she is a witch, and I am stunned into silence. What am I supposed to say to this? Being raised in a strictly christian (in the odious fundamental, slightly schizophrenic form) I lacked the proper thinking tools to process her revelation. Curiously enough, part of me, a hidden part, was excited. She began telling me about what she did, what she believed, nothing too detailed. Truthfully, we were just young girls exploring the world and ourselves in the world. Magic for her was empowering and enriching. Admittedly, I was enthralled, I had never before met a self-proclaimed witch, much less someone beyond my perspective of things.
Then she shared with me how she celebrated the seasons, and how Autumn, especially Halloween, was her favorite, because for her this was a time to inhabit a different skin by dressing up, slipping into a different personality that existed outside convention, outside of her normal teenage life. This piqued my interest even more, donning different personalities, inhabiting a self outside of the restrictions imposed by home life. My heart lept with excitement, devouring her words, imagining her life.
Teen Witch, theatrical release poster, 1989. Image from Wikipedia.
What she was sharing swam in my head, and my mind ran wild. That a different way of living was possible? That dressing up could afford me a way of being different, of pretending I was someone other than my self? Not only pretend, but that I could break free from the fears and insecurities that bound me by dressing up, by acting as if I were free of said binds? This was magic to me at that moment. My mom drove up to the entrance some time later, and she handed me a beige folder. Inside were spells. She said, “Take a look, play around* with what you read, and keep it safe, let no one see it.” I got up and said goodbye, she responded with, “See you tomorrow.”
I interrupt here to confess that one of my favorite movies growing up was Teen Witch starring Robyn Lively. I see now how the idea of being different, and the many ways of being has been an ongoing theme for me.
Needless to say, I got home, opened the folder and inside were spells written on white copy paper. I riffled through them, but quickly stashed it in my closet to keep it away from prying eyes. At the moment of first seeing the pages I felt at odd trepidation, exhilaration at breaking the rules, but also fear. All the fear that had been instilled in me since childhood came rushing into me. My mother did not disappoint, I had kept the folder for several weeks, only looking at it furtively when I got the chance, which was mostly at night. When one day, she was in my bedroom for reasons I don’t know to this day, she found the folder. Livid, she strode up to me and threw the papers in my face, demanding to know why I had this stuff. She called me everything from Devil, to demon possessed, filthy, a disgrace, etc. I just cried. I also never spoke to that girl again.
Looking back, I chuckle, but I’m also glad that I met someone different at a moment in my life when I needed to see that there were other ways of being in the world. I am reminded of her words now, as she described what being a witch meant to her. I also still recall how she described her process of dressing up during the last weeks of October leading up to Halloween, taking the time to put thought into how different she would be from her normal self. Who she wanted to be. She was serious when she spoke of this, describing how she relished the days leading up to and during Halloween because she put aside her normal self and donned another self. During those days she would do rituals, and create a place for acting and being different. It was a drama. From one perspective, one can see how she was an impressionable girl, just like I was, who liked taking part in the theatricality of October and the allure of being a witch. On the other, she has a point. Of course, Halloween has a less alluring† history, but from where I stand there is no denying that the quality of shedding skins, like a snake, and of daring to explore different ways of living in the world is underneath as well. And if Halloween was her moment for participating in the drama of her choosing and creation, than good for her.
Outside of the flashy and sleazy commercial day October 31st has become, I admit that I see a particular kind of power in my friend’s way of approaching this time of the year. To conscientiously dress as someone else for a day or two, to let the different attire stimulate different parts of the self is a challenge in my eyes, a challenge to restraints, to binds, to identity constructs, to conventions, to what is normative. And I am not talking about dressing up as a sexy nurse, going to a party and being the center of attention, then getting wasted. Although, I can’t deny that perhaps for many many people dressing up as a sexy nurse stimulates self-confidence and unleashes a sexually confident persona. And it is about exactly this that I am talking about, the indwelling potential in exploring different parts of our self through the act of dressing up in a different way, of engaging in a drama of our own creation. There is also the element of stealth, of hiding one’s habitual identity to unleash more darker aspects, corners of our psyche that have been deprived, starved, and neglected.
Frankly, a subtle burst of freedom lurks behind my friend’s attempts at being more than just a normal teenager. Freedom in acknowledging that identity is in many deep seated ways a construct of society, familial relationships and culture. Moreover, exploring different forms of being in the world is empowering, keeping identity malleable as we open the self to engage and learn from the World is enriching.
On this day, which for me is just a preparation for the following two days which are very important to me, consider your self, how you present your self to the world, and maybe ask yourself, what is hidden that wants to be released, even if it is for one or two nights?
Happy Halloween!
*I am sure she meant play around in the sense that I should experiment and try out some of the spells. I unfortunately did not play with any of the spells. Curiously, I got into automatic writing and started having conversations with a spirit that I met through automatic writing in trance.
In keeping with my previous post and the themes somewhat explored therein, this is a list of links to articles and ideas that coalesce in the same stream of thoughts. Last year around this time I also created a list, in keeping with cycles I am doing the same this year but instead of hauntings and the dead, this list is about what I mean in regards to en-souled movement and being.
From Emergence Magazine by Adam Loften and Emmanuel Vaughan-Lee, “Counter Mapping.”
“Such maps are widely assumed to convey objective and universal knowledge of place. They are intended to orient us, to tell us how to get from here to there, to show us precisely where we are. But modern maps hold no memory of what the land was before. Few of us have thought to ask what truths a map may be concealing, or have paused to consider that maps do not tell us where we are from or who we are. Many of us do not know the stories of the land in the places where we live; we have not thought to look for the topography of a myth in the surrounding rivers and hills. Perhaps this is because we have forgotten how to listen to the land around us.”
“I am a dancer; my body is the material for my art, and movement is my practice, the medium of dance. Movement arises mysteriously, at the very source of life and before even a self forms.” –Dynamics of the Occulted Body, Alkistis Dimech
“In performing the same ceremonies, one enters a mutual relationship with the Ancestors and The Dreaming, and so “‘re-creates’ the world.”[3]
For these reasons, the continued vital status of “country” requires inhabitants to continue re-enacting these ceremonies—and thus re-activating Law and The Dreaming—in order to regenerate country. In this sense, human participants co-create a living, enchanted world. If one fails to do so, or if the ceremony is lost or broken, then presumably one winds up with, well, broken country.” -Faerie Law, Feather & Scale